Laurenz Gottstein and Alina L Just have conducted a comprehensive mapping of historical address data to identify Hamburg’s pleasurescapes of the past. The maps visualize the spatial entertainment hub of Reeperbahn that evolved in proximity to the port and its maritime practices, but they also shed light on largely forgotten entertainment quarters from the early 1900s. Eventually, we see how entertainment structures mirror the different historical stages of urban development, and that Hamburg’s cityscape of pleasure culture used to be much more diversified.
The names of the categories are based on the original terms in the address books. With the help of historical maps and street directories we placed the points as accurately as possible. Because many street names have changed since 1910, the addresses given here may be confusing. They reflect the official status at that time.
Vincent Baptist’s PhD research centers on the following questions: How did spaces of notorious entertainment develop and disappear in the port city of Rotterdam over the course of the long 20th century? And how can the legacies of Rotterdam’s pleasurescapes be linked to current practices of urbanization in the port city, such as gentrification and touristification? Three pleasurescapes are investigated in particular, namely Zandstraatbuurt, Schiedamsedijk and Katendrecht, which respectively succeeded each other in Rotterdam throughout the period 1880-1975. Focusing on combinations of spatial and experiential aspects, as propagated by the new ‘pleasurescape’-term, case studies on these pleasure districts are conducted by linking each of the neighborhoods to certain experiential themes (nostalgia, safety, gentrification) and different types of cultural sources (literary, visual, oral). Ultimately, the three neighborhoods are also further linked together through an overarching analysis of the residential displacement patterns and unrealized planning projects that arose in the wake of Rotterdam’s discontinued amusement offers.
Judit Vidiella explores the connection between maritime trade and the freedom of conscience that placed port cities at the forefront of articulating new societal ideals among the population around the turn of the 20th century. She is interested in analyzing how Spiritism circles built proper networks of communication and ‘uncanny infrastructures’ (Geoghegan 2016), focusing on the fundamental role that female mediums played as active agents in the change of consciousness by means of their ‘inspired’ messages and socio-political practices.
Occultist practices became a massive entertainment in Europe, when the magic and the scientific lived together and spirituality was given a positivist and scientific touch and supposedly empirical evidence in public shows and performances. This opens a field of research about the ‘spectatorial regime’ (Crary 1992) that had spiritist séances in common with other forms of popular entertainment in the late 19th and early 20th century such as cinema, hypnotist and magnetizer’s exhibitions or café-concert shows.